شكر وعرفان

أتوجَّه بالشكر للناشرين الآتية أسماؤهم لموافقتهم على إعادة طبع المادة التالية في هذا الكتاب:

Kluwer Academic Publishers, for “Ritual and Reference,” Synthese, 46 (March, 1981), pp. 421–37; and “The Wonderful Worlds of Goodman,” Synthese, 45 (1980), pp. 201–9.
Editions du Centre Pompidou, for “Art Science Religion,” Cahiers du Musée National d’Art Moderne, 41, Automne 1992, pp. 45–53.
Journal of Aesthetics and Art Criticism, for “Reference and Play,” in Journal of Aesthetics and Art Criticism, Vol. 50, No. 3, Summer 1992, pp. 211–16; and “Pictorial Ambiguity,” same journal, Vol. 47, N. 2, Spring 1989, pp. 109–15.
Hackett Publishing Co., Inc., for Science and the World, Chapter 5, pp. 91–124 of Science and Subjectivity, Hackett, Second edition, 1982.
Journal of Philosophy, for Catherine Z. Elgin and Israel Scheffler, “Mainsprings of Metaphor,” Journal of Philosophy, Vol. 84 (1987), pp. 331–5.
Institut de Philosophie, Université Libre de Bruxelles, for “Ritual Change,” Revue Internationale de Philosophie, Vol. 46, No. 185, 2-3/1993, pp. 151–60.
University of Illinois Press, for “Ten Myths of Metaphor,” Journal of Aesthetic Education, Vol. 22, No. 1, Spring 1988, pp. 45–50.
M.I.T. Press, for “Worldmaking: Why Worry,” in Peter McCormick, ed. Starmaking, M.I.T. Press, 1996.
Ridgeview Publishing Company, for “Ambiguity: An Inscriptional Approach” in Richard Rudner and Israel Scheffler, eds. Logic and Art, Bobbs-Merrill 1972, now Ridgeview Publishing Company.

إنني ممتن إلى كاثرين إلجين لموافقتها على إعادة طبع مقالنا المشترك:

كما أود أن أعبِّر عن امتناني لآن سورابيلا على مساعدتها الممتازة والأساسية في إعداد هذا الكتاب في جميع مراحله.