قائمة المراجع

وتقتصر على عناوين الكتب والدراسات المشار إليها في الكتاب وأسماء مؤلفيها فقط: ومكان النشر لندن ما لم ينص على خلاف ذلك.

Bibliography

  • Adelman, Janet, “Masculine Authority and the Maternal Body: The Return to Origins in the Romances,” In Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays, Hamlet to the Tempest, New York and London: Routledge, 1991.
  • Asp, Carolyn, “Shakespeare’s Paulina and the Consolatio Tradition,” Shakespearean Studies, 11, 1978.
  • Aurbach, Erich, Mimesis, “Figura” pp. 11–76, New York, 1959.
  • Barber, C. L., “Thou That Begets’t Him That Did Thee Beget”: Transformation in Pericles and The Winter’s Tale’, Shakespearean Studies, 1969.
  • Barkan, Leonard, “Living Sculptures”: Ovid, Michaelangelo and The Winter’s Tale’, English Literary History, 48, 1981.
  • Barnet, Sylvan, “The Winter’s Tale on the Stage and Screen,” in Kermode, ed. (Signet edn., 1998).
  • Barroll, Leeds, Politics, Plague and Shakespeare’s Theater, Ithaca, NY, 1991.
  • Barton, Anne, “Leontes and the Spider: Language and Speaker in Shakespeare’s Last Plays,” in Shakespeare’s Styles: Essays in Honour of Kenneth Muir, edited by Philip Edwards, Inga-Stina Ewbank, and G. K. Hunter, pp. 131–150, Cambridge and New York: Cambridge University Press, 1980, Reprinted in Barton’s Essays, Mainly Shakespearean pp. 161–181, C.U.P. 1994.
  • Bate, Jonathan, Shakespeare and Ovid, 1993.
  • Battenhouse, Roy, “Theme and Structure in The Winter’s Tale,” Shakespeare Studies 33, 1980.
  • Beier, Lee, Masterless Men: The Vagrancy Problem in England 1560–1640, 1985.
  • Bellette, A. F., “Truth and Utterance in The Winter’s Tale” Shakespeare Survey 31, 1998.
  • Belsey, Catherine, Shakespeare and the Loss of Eden: The Construction of Family Values in Early Modern Culture, 1999.
  • Bennett, Kenneth, “Reconstructing The Winter’s Tale,” Shakespeare Survey 46, 1994, 81–90.
  • Bentley, G. E. “Shakespeare and the Blackfriars Theatre,” Shakespeare Survey 1, 1948.
  • Bergeron, David M., Shakespeare’s Romances and the Royal Family, Lawrence, University Press of Kansas, 1985.
  • Bethell, S. H. The Winter’s Tale: A Study, 1947.
  • Bieman, Elizabeth, William Shakespeare: The Romances, Boston Twayne Publishers, G. K. Hall and Co., 1990.
  • Bishop, T. G., Shakespeare and the Theatre of Wonder, 1996.
  • Bloom, Harold, ed., The Winter’s Tale: Modern Critical Interpretations, 1987.
  • Bloom, Harold, Shakespeare: The Invention of the Human, 1998.
  • Blum, Abbé, “Strike all that look upon thee with mar[b]le”: Monumentalizating Women in Shakespeare’s Plays, In The Renaissance Englishwoman in Print, ed. Anne M. Haselkorn and Betty S. Travitsky, Amherst: University of Massachusetts Press, 1990.
  • Bradley, A. C., Shakespearean Tragedy, 1904.
  • Bristol, Michael D., “In Search of the Bear: Spatiotemporal Form and the Heterogeneity of Economics in The Winter’s Tale,” Shakespeare Quarterly 42, 1991.
  • Bryant, J. A., Jr., “Shakespeare’s Allegory: The Winter’s Tale,” Sewanee Review 63, no. 2, 1955, pp. 202–222.
  • Bullough, Geoffrey, The Narrative and Dramatic Sources of Shakespeare, Vol. 8, 1975.
  • Calderwood, James, Shakespeare’s Metadrama, 1971.
  • Carroll, William C., “The Nursery of Beggary”: Enclosure, Vagrancy, and Sedition in the Tudor-Stuart Period,” in Enclosure Acts: Sexuality, Property, and Culture in Early Modern England, ed. Richard Burt and John Michael Archer, Ithaca and London: Cornell University Press, 1993.
  • Cavell, Stanley, “Recounting Gains, Showing Losses (A Reading of The Winter’s Tale),” in Disowning Knowledge in Six Plays of Shakespeare, 1987.
  • Christianson, Paul, “Royal and Parliamentary Voices on the Ancient Constitution, c. 1604–1621,” in The Mental World of The Jacobean Court, ed. Linda Levy Peck, C.U.P. 1991.
  • Clemen, W. H., The Development of Shakespeare’s Imagery, London: Methuen, 1966.
  • Coghill, Nevill, “Six Points of Stage-Craft in The Winter’s Tale,” Shakespeare Survey, 1958.
  • Cohen, Ralph Alan, Shenandoah Shakespeare, American Shakespeare Center, Blackfriars Theater, Staunton, VA, 2002.
  • Coleridge, S. T., Shakespearean Criticism, 1962, Vol. 2.
  • Colie, Rosalie, Shakespeare’s Living Art, 1974.
  • Cooley, Ronald W., “Speech Versus Spectacle”: Autolycus, Class and Containment in The Winter’s Tale,” Renaissance and Reformation 21, no. 3, 1977.
  • Davis, Joel, “Paulina’s Paint and the Dialectic of Masculine Desire in the Metamorphoses, Pandosto and The Winter’s Tale”, Papers in Language and Literature 39, no. 2, 2003.
  • Dessen, Alan C., Rescripting Shakespeare: The Text, the Director, and Modern Productions (Cambridge: C.U.P.), 2002.
  • Dewar-Watson, Sarah, “The Alcestis and the Status-Scene in The Winter’s Tale,” Shakespeare Quarterly 60, 2009.
  • Dillon, Janette, Theatre, Court and City, 1595–1610: Drama and Social Space in London, Cambridge, 2000.
  • Dowden, Edward, Shakespeare, 1877.
  • Dreher, Diana Elizabeth, Domination and Defiance: Fathers and Daughters in Shakespeare, University of Kentucky Press, 1986.
  • Egan, Peter, Drama Within Drama: Shakespeare’s Sense of His Art in “King Lear”, “The Tempest”, and “The Winter’s Tale”, New York and London: Columbia University Press, 1975.
  • Eggert, Kathleen, “Showing Like a Queen: Female Authority and Literary Experiment in Spenser, Shakespeare and Milton, 2000.
  • Ellison, James, “The Winter’s Tale and Religious Politics,” in Shakespeare’s Romances, ed. Alison Thorne, Palgrave Macmillan, 2003.
  • Enterline, Lynn, “You Speak a Language That I Understand Not”: The Rhetoric of Animation in The Winter’s Tale, Shakespeare Quarterly 48, 1997.
  • Erickson, Peter, Patriarchal Structures in Shakespeare’s Drama, 1985.
  • Ewbank, Inga-Stina, “The Triumph of Time in The Winter’s Tale,” Review of English Literature 5, 1964, rpt. In Hunt, 1995.
  • Fawkner, H. W., “Shakespeare’s Miracle Plays: “Pericles”, “Cymbeline” and “The Winter’s Tale”, Columbia, 1991.
  • Felperin, Howard, “Our Carver’s Excellence,” in Shakespearean Romances, Princeton, N.J., Princeton University Press, 1972.
  • Fowler, Alistair, “Leontes Contrition and the Repair of Nature,” Essays and Studies 13, 1978.
  • Frazer, James, The Golden Bough, 1890.
  • French, Marilyn, Shakespeare’s Division of Experience, N.Y., 1981.
  • Frey, Charles, “Interpreting The Winter’s Tale,” Studies in English Literature 18, 1978.
  • Frey, Charles, Shakespeare’s Vast Romance: A Study of “The Winter’s Tale”, Columbia and London: University of Missouri Press, 1980.
  • Frye, Northrop, “Recognition in The Winter’s Tale,” in Essays on Shakespeare and Elizabethan Drama in Honour of Hardin Craig, ed. Richard Hosley, Columbia, 1962.
  • Frye, Northrop, A Natural Perspective: The Development of Shakespearean Comedy and Romance, 1965, p. 119.
  • Frye, Northrop, “The Anatomy of Criticism,” 1957; Princeton, N.J., Princeton University Press, 1971.
  • Frye, Northrop, “Romance as Masque,” in Kay and Jacobs (eds.), Shakespeare’s Romances Reconsidered, 1978.
  • Goddard, Harold C., The Meaning of Shakespeare, 2 Vols., (Vol. 2), 1951.
  • Gourley, Patricia Southard, “O my most sacred Lady”: Female Metaphor in The Winter’s Tale, English Literary Renaissance 3, 1975.
  • Granville-Barker, “Preface to The Winter’s Tale,” 1912, in More Prefaces to Shakespeare, ed. Edward M. Moore and Harley Granville-Barker, Princeton, N.J.: Princeton University Press, 1974.
  • Hall, Joan, “The Winter’s Tale”: A Guide to Play, 2005.
  • Halliwell [Phillips], J.O. (ed.), Shakespeare’s Works, 16, Vols., 1853–1865.
  • Hamilton, Donna B., “The Winter’s Tale and the Language of the Union 1604–1611,” Shakespeare Studies 21, 1993, 228–250.
  • Harbage, Alfred, Shakespeare’s Audience, NY, 1961.
  • Hardman, C. B., “Theory, Form and Meaning in Shakespeare’s The Winter’s Tale,” Review of English Studies, 36, 1985.
  • Hartwig, Joan, Shakespeare’s Tragicomic Vision, Baton Rouge: Louisiana State University, 1972.
  • Herrick, Martin, Tragicomedy: Its Origin and Development in Italy, France, and England, Urbana: University of Illinois Press, 1955.
  • Hillman, Richard, Shakespearean Subversions: The Trickster and the Playtext, 1992.
  • Hoeniger, F. David, “The Meaning of The Winter’s Tale,” University of Texas Quarterly, 1950.
  • Holderness, Graham, Nick Porter and John Turner, Shakespeare: Out of Court, N.Y., 1990.
  • Honigman, E. A. J., “Re-enter the Stage Direction: Shakespeare and Some Contemporaries,” Shakespeare Survey 29, 1976.
  • Horton, Craig, “The Country Must Diminish: Jacobean London and the Production of Pastoral Space in The Winter’s Tale,” Paragon 20, no. 1, 2003.
  • Howard, Jean E., Shakespeare’s Art of Orchestration, Urbana and Chicago: University of Illinois Press, 1984.
  • Hunt, Maurice (ed.), The Winter’s Tale: Critical Essays, 1995.
  • Hunt, Maurice, “Bearing Hence”: Shakespeare’s The Winter’s Tale, Studies in English Literature 44, no. 2, 2004.
  • Johnson, Dr. Samuel (ed.), Shakespeare’s Plays, 8 Vols., 1765.
  • Jordan, Constance, Shakespeare’s Monarchies: Ruler and Subject in the Romances, Ithaca and London: Cornell University Press 1977.
  • Kahn, Coppelia, Man’s Estate: Masculine Identity in Shakespeare, University of California Press, 1981.
  • Kaplan, M. Lindsay and Katherine Eggert, “Good Queen, my Lord, good queen”: Sexual Slander and the Trials of Female Authority in The Winter’s Tale, Renaissance Drama 25, 1994.
  • Kermode, Frank (ed.), English Pastoral Poetry from the Beginnings to Marvell, 1952.
  • Kermode, Frank (ed.), The Winter’s Tale, Signet Classics, 1963–1998.
  • Kermode, Frank, Shakespeare’s Language, 2000.
  • Knight, G. Wilson, The Crown of Life, 1947.
  • Knights, L. C., “Integration” in The Winter’s Tale, Sewanee Review 80, Fall 1974.
  • Kurland, Stuart M., “We Need No More of Your Advice”: Political Realism in The Winter’s Tale, Studies in English Literature, 31, 1991.
  • Lamb, Mary Ellen, Ovid and The Winter’s Tale: Conflicting Views Towards Art, in Shakespeare and Dramatic Tradition, ed. W. R. Elton and William B. Long, 1984.
  • Latimer, Kathleen, “The Communal Action of The Winter’s Tale,” in Louise Cowan (ed.), The Terrain of Comedy, Dallas, Tx., 1984.
  • Leavis, F. R., “The Criticism of Shakespeare’s Last Plays,” in The Common Pursuit, 1962.
  • Leech, Clifford, “The Structure of the Last Plays,” Shakespeare Survey 11, 1958.
  • Mahood, M. M., Shakespeare’s Wordplay, 1969.
  • Marapodi, Michele, “Of That Fatal Country”: Sicily and the Rhetoric of Topography in The Winter’s Tale, in Shakespeare’s Italy, Functions of Italian Locations in Renaissance Drama, ed. Michele Marapodi, A. J. Hoenselaars, Marcello Cappuzo, and Lino Falzon Sanctucci, 1993.
  • Martin, John E., Feudalism to Capitalism: Peasant and Landlord in English Agrarian Development, Atlantic Highlands, N.J., 1983.
  • McDonald, Rus, “Poetry and Plot in The Winter’s Tale”, Shakespeare Quarterly 36, 1985.
  • Miola, Robert, “An Alien People Clutching Their Gods?”: Shakespeare’s Ancient Religions,” Shakespeare Survey 54, 2001.
  • Morse, William R., “Metacriticism and Materiality: The Case of Shakespeare’s The Winter’s Tale,” English Literary History, 58, 1991.
  • Mowat, Barbara A., The Dramaturgy of Shakespeare’s Romances, Athens: The University of Georgia Press, 1976.
  • Mowat, Barbara A., “Rogues, Shepherds, and the Counterfeit Distressed: Texts and Infratexts in The Winter’s Tale,” Shakespeare Studies 22, 1994.
  • Mowat, Barbara E., “What’s in a Name: Tragicomedy, Romance, or Late Comedy,” in A Companion to Shakespeare’s Works, 4 Vols., 4: 129–149, ed. Richard Dutton and Jean Howard, 2004.
  • Mowat, Barbara & Paul Werstine (eds.), The Winter’s Tale, Folger Shakespeare Library, 1998 (edn. Used 2005).
  • Neely, Carol Thomas, “The Winter’s Tale: The Triumph of Speech,” Studies in English Literature 15, No. 2, 1975.
  • Neely, Carol Thomas, “Feminist Modes of Criticism: Compensatory, Justificatory, Transformational,” Women’s Studies 9, 1981.
  • Neely, Carol Thomas, “Incest and Issue in The Winter’s Tale,” in Broken Nuptials in Shakespeare’s Plays, University of Illinois Press, 1993.
  • Nevo, Ruth, Shakespeare’s Other Language, 1987.
  • Newcombe, Lori H., “If That Which is Lost Be Not Found: Monumental Bodies, Spectacular Bodies in The Winter’s Tale,” in Ovid and the Renaissance Body, ed. Goran V. Stanivukovic, 2001.
  • Newcombe, Lori Humphrey, Reading Popular Romance in Early Modern England, New York, 2002.
  • Nolan, Michael. (ed.), The Thracian Wonder, by William Rowley and Thomas Haywood, Salzburg, Austria, 1997.
  • Nuttall, A. D., Shakespeare: The Winter’s Tale, 1966.
  • Nuttall, A. D., “The Winter’s Tale: Ovid Transformed,” in Shakespeare’s Ovid: The Metamorphoses in the Plays and Poems, ed. A. B. Taylor, Cambridge, 2000.
  • Orgel, Stephen, “The Poetics of Incomprehensibility,” Shakespeare Quarterly 42, 1991.
  • Orgel, Stephen (ed.), William Shakespeare, The Winter’s Tale, The Oxford Shakespeare, 1996.
  • Orgel, Stephen, “The Winter’s Tale: A Modern Perspective,” in The Folger Shakespeare, Appended to edn. 2005.
  • Overton, Bill, “The Winter’s Tale,” The Critics Debate, Atlantic Highlands, N.J., 1989.
  • Pafford, J. H. P. (ed.), The Winter’s Tale, The Arden Shakespeare, 1963.
  • Palfrey, Simon, Late Shakespeare: A New World of Words, New York: OUP, 1997.
  • Palmer, Daryl W., “Jacobean Muscovites: Winter, Tyranny, and Knowledge in The Winter’s Tale,” Shakespeare Quarterly 46, no. 3, 1995.
  • Parker, Patricia, Inescapable Romance: Studies in the Poetics of a Mode, Princeton, 1979.
  • Parker, Patricia and Geoffrey Hartman eds., Shakespeare and the Question of Theory, 1985.
  • Parker, Patricia, “Temporal Gestation, Legal Contracts, and the Promissory Economies of The Winter’s Tale,” in Women, Property, and the Letters of the Law in Early Modern England, ed. Nancy E. Wright, Margaret W. Ferguson, and A. R. Buck, 2004.
  • Parker, Patricia, “Sound Government, Polymorphic Bears: The Winter’s Tale and Other Metamorphoses of Eye and Ear,” in The Wordsworthian Enlightenment: Romantic Poetry and the Ecology of Reading, ed. Helen Regueiro Elam and Frances Ferguson, 2005.
  • Pettet, E. C., Shakespeare and the Romance Tradition, N.Y., 1949.
  • Pico, Barbara Roche, “From ‘Speechless Dialect’ to ‘Prosperous Art’: Shakespeare’s Recasting of the Pygmalion Image,” Huntingdon Literary Quarterly 48, no. 3, 1985.
  • Pitcher, John (ed.), The Winter’s Tale, The Arden Shakespeare, 2010.
  • Proudfoot, Richard, “Verbal Reminiscence and the two-part Structure of The Winter’s Tale,” Shakespeare Survey 29, 1976.
  • Pyle, Fitzroy, “The Winter’s Tale”: A Commentary on the Structure, N.Y., 1969.
  • Quiller-Couch, Arthur, Shakespeare’s Workmanship, C.U.P., 1934.
  • Reid, Stephen, “The Winter’s Tale,” American Imago 27, no. 3, 1970.
  • Righter, Ann, Shakespeare and the Idea of the Play (Penguin, 1967).
  • Rosenfield, Kristie Gulick, “Nursing Nothing: Witchcraft and Female Sexuality in The Winter’s Tale,” Mosaic 35, no. 1, 2002.
  • Ryan, Kiernan (ed.), Shakespeare: The Last Plays, 1999.
  • Schalkwyk, David, “A Lady’s ‘Verily’ Is as Potent as a Lord’s”: Women, Word and Witchcraft in The Winter’s Tale, English Literary Renaissance 22, no. 2, 1992.
  • Schanzer, Ernest (ed.), The Winter’s Tale, Penguin, 1986.
  • Schwartz, Murray M., “Leontes Jealousy in The Winter’s Tale,” American Imago 30, no. 3, 1980.
  • Shepherd, Simon, Amazons and Warrior Women: Varieties of Feminism in Seventeenth Century Drama, 1981.
  • Siemon, James Edward, “But It Appears She Lives”: Iteration in The Winter’s Tale, PMLA 29, no. 1, 1974.
  • Skura, Meredith, The Literary Uses of the Psychoanalytic Process, 1981.
  • Smallwood, Robert, “Directors Shakespeare,” in Shakespeare: An Illustrated Stage History, ed. Jonathan Bate and Russell Jackson, Oxford, OUP, 1966.
  • Smiley, Jane, “Taking it all Back,” Book World, Washington Post, 21 June 1998.
  • Smith, Hollett, Shakespeare’s Romances, San Marino, Calif.: The Huntingdon Library, 1972.
  • Smith, Jonathan, “The Language of Leontes,” Shakespeare Quarterly 19, 1968.
  • Snyder, Susan and Deborah T. Curren-Aquino (eds.), The Winter’s Tale, The New Cambridge Shakespeare, 2007.
  • Spurgeon, Caroline, Shakespeare’s Imagery and What It Tells Us, Cambridge, 1935.
  • Staunton, Howard. (ed.), The Plays of William Shakespeare, 3 Vols., 1858–1860.
  • Stewart, C. D., Some Textual Difficulties in Shakespeare, 1914.
  • Stewart, J. I. M., Character and Motive in Shakespeare, 1949.
  • Stockholder, Kay, Dream Works: Lovers and Families in Shakespeare’s Plays, 1987.
  • Strachy, Lytton, “Shakespeare’s Final Period,” in Books and Characters, 1922.
  • Strong, L. A. G., “Shakespeare and the Psychologists,” in Talking of Shakespeare, ed. John Garret, 1954.
  • Styan, J. L., Shakespeare’s Stagecraft, Cambridge, C.U.P., 1967.
  • Sutherland, James, “The Language of the Last Plays,” in John Garrett, ed. More Talking of Shakespeare, 1959.
  • Takakuwa, Yoko, “Diagnosing Male Jealousy: Woman as Man’s Symptom in The Merry Wives of Windsor, Othello, and The Winter’s Tale,” in Hot Questrists after the English Renaissance: Essays on Shakespeare and His Contemporaries, ed. Yasunari Takahashi, N.Y., 2000.
  • Tayler, Edward W., Nature and Art in Renaissance Literature, N.Y., 1964.
  • Tennenhouse, Leonard A., “Family Rites,” in Power on Display: The Politics of Shakespeare’s Genres, N.Y., 1986.
  • Thorne, Alison (ed.), Shakespeare’s Romances, New Casebooks, Palgrave Macmillan, 2003.
  • Tillyard, E. M. W., Shakespeare’s Last Plays, 1938.
  • Traub, Valerie, Desire and Anxiety: Circulations of Sexuality in Shakespearean Drama, 1997.
  • Traversi, Derek. Shakespeare: The Last Phase, Stanford University Press, 1953.
  • Tylus, Jane, Writing and Vulnerability in the Renaissance, Stanford University Press, 1993.
  • Van Doren, Mark, Shakespeare, 1939.
  • Van Laan, Thomas F., Role-playing in Shakespeare, Toronto, Buffalo, London: University of Toronto Press, 1978.
  • Vanita, Ruth, “Mariological Memory in The Winter’s Tale and Henry VIII,” Studies in English Literature, 2000.
  • Viswanathan, S., Theatricality and Mimesis in The Winter’s Tale: The Instance of “Taking by the Hand,” in Shakespeare in India, ed. S. Nagarajan and S. Viswanathan, 1987.
  • Warren, Roger, Staging Shakespeare’s Late Plays, 1990.
  • Wexler, Joyce, “A Wife Lost and/or Found,” Ucrow 8, 1988.
  • White, R. G. (ed.), The Comedies, Histories, Tragedies, and Poems of William Shakespeare, 1859.
  • Wilson, Douglas B., “Euripides Alcestis and the ending of Shakespeare’s The Winter’s Tale,” Iowa State Journal of Research, 58, 1984.
  • Wilson, Richard, Willpower: Essays on Shakespearean Authority, Detroit, Mich.: Wayne State University, 1993.
  • Wimsatt, W. K. (ed.), Dr. Johnson on Shakespeare, Vol. 1, Penguin, 1960 (1969, p. 109).
  • Wright, George T., Shakespeare’s Metrical Art, 1988.
  • Yates, Frances A., Shakespeare’s Last Plays: A New Approach, 1975.
  • Young, David, The Heart’s Forest: A Study of Pastoral in Shakespeare’s Plays, 1972.
  • Zurcher, Amelia, “Untimely Monuments: Stoicism, History and the Problem of Utility in The Winter’s Tale and Pericles,” English Literary History 70, no. 4, 2003.

جميع الحقوق محفوظة لمؤسسة هنداوي © ٢٠٢٤