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المراجع

الفصل الأول: ما الخيال؟

  • Blaise Pascal, Pensées (New York: Dutton, 1958 [1669]), p. 82.
  • Samuel Johnson, The History of Rasselas, Prince of Abissinia (London: Cassell & Co., 1889 [1759]), p. 167.
  • Wallace Stevens, The Necessary Angel: Essays on Reality and the Imagination (New York: Alfred A. Knopf, 1951), p. 13.
  • Seamus Heaney, The Redress of Poetry (New York: Farrar, Straus and Giroux, 1995), pp. 2, 3.
  • Albert Einstein, ‘What Life Means to Einstein’, Interview with George Sylvester Vierack, Saturday Evening Post (October 1929), p. 117.
  • Albert Einstein and Leopold Infeld, The Evolution of Physics (London: The Scientific Book Club, 1938), p. 95.
  • Elizabeth Blackburn, ‘Why Beauty is So Important to Us’, The New York Times, Turning Points 2020: (https://www.nytimes.com/interactive/2019/12/07/opinion/elizabeth-blackburn-why-is-beauty-important.html).
  • David Hume, A Treatise of Human Nature, ed. L. A. Selby-Bigge (Oxford: Clarendon, 1896 [1739]), p. 24.
  • Immanuel Kant, Critique of Pure Reason, trans. Paul Guyer and Alan W. Wood (Cambridge: Cambridge University Press, 1998 [1781]), A141:B180-1.
  • Gilbert Ryle, The Concept of Mind (New York: Routledge, 2009 [1949]), pp. 224-5.
  • Jean-Paul Sartre, The Imaginary: A Phenomenological Psychology of Imagination, trans. Jonathan Webber (London and New York: Routledge, 2004 [1940]).

الفصل الثاني: الخيال وتطور الإنسان

  • For background on human cognitive evolution see Steven Mithen, ‘The Evolution of Imagination: An Archeological Perspective’, Substance, issue 94/95 vol. 30 nos. 1-2 (2001), 28–54; Robin Dunbar, The Human Story: A New History of Mankind’s Evolution (London: Faber and Faber, 2005); Peter Gärdenfors, How Homo Became Sapiens: On the Evolution of Thinking (Oxford: Oxford University Press, 2003); R. Dale Guthrie, The Nature of Paleolithic Art (Chicago: University of Chicago Press, 2005); Christopher Collins, Paleopoetics: The Evolution of the Preliterate Imagination (New York: Columbia University Press, 2013); and chapter 2 of Jennifer Gosetti-Ferencei, The Life of Imagination: Revealing and Making the World (New York: Columbia University Press, 2018).
  • D. W. Winnicott, Playing and Reality (London: Tavistock, 1971), p. 67.
  • Paul L. Harris, The Work of Imagination (Oxford: Blackwell, 2000).
  • Maurice Merleau-Ponty, The World of Perception, trans. Oliver Davis (London and New York: Routledge, 2004), p. 74.
  • For background on animal imagining see Anthony D. Pellegrini and Peter K. Smith, eds, The Nature of Play: Great Apes and Humans (New York: Guilford Press, 2005); and Robert W. Mitchell, Pretending and Imagination in Animals and Children (Cambridge: Cambridge University Press, 2011).

الفصل الثالث: من الجنون اللاهوتي إلى القدرة المعرفية

  • Plato, Republic, vols. I and II, trans. Paul Shorey, Loeb Classical Library (Cambridge, Mass. and London: Harvard University Press and William Heinemann, 1942). Citations are from 598b, 60lb-c, 603a.
  • Plato, Statesman, Philebus, Ion, trans. Harold North Fowler, Loeb Classical Library (Cambridge, Mass. and London: Harvard University Press and William Heinemann, 1925). Citations are from Philebus, 39b, 39e.
  • Aristotle, On the Soul, Parva Naturalia, On Breath, trans. W. S. Hett, Loeb Classical Library (Cambridge, Mass.: Harvard University Press, 2000). Citations are from On the Soul, 428a2-3, 428a16, 427b20, 429a4, 431a17-18, 431b4-5, 431b6–9.
  • Miguel de Montaigne, Essays in Ten Volumes, trans. Charles Colton, ed. William C. Hazlett (New York: Edwin C. Hill, 1910 [1580]), citation vol. 1 p. 214.
  • William Shakespeare, The Complete Works, 2nd edition, ed. John Jowett et al. (Oxford: Oxford University Press, 2005). Citations are from A Midsummer Night’s Dream, Act I Scene 5, and Richard II, Act I Scene 3.
  • René Descartes, Discourse on Method and Meditations on First Philosophy, trans. Donald A. Cress (Indianapolis: Hackett, 1998 [1637/1641]), pp. 19, 22, 28.
  • David Hume, Enquiries Concerning Human Understanding, ed. Tom L. Beauchamp (Oxford: Oxford University Press, 1999 [1748]), p. 124.
  • Hume, A Treatise of Human Nature, p. 259.

الفصل الرابع: الخيال الإنتاجي والجمالي

  • Immanuel Kant, Anthropology from a Pragmatic Point of View, ed. Robert B. Louden (Cambridge: Cambridge University Press, 2006 [1798]), p. 7:153.
  • Kant, Critique of Pure Reason, p. A120.
  • Immanuel Kant, Critique of Judgment, trans. Werner S. Pluhar (Indianapolis: Hackett, 1987 [1790]), pp. 242, 314, 315.
  • Edmund Burke, A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and the Beautiful, ed. J. T. Boulton (London: Routledge and Kegan Paul, 1958 [1757]), p. 57.
  • Kant, Critique of Judgment, pp. 255, 259, 262.
  • Jean-François Lyotard, Lessons on the Analytic of the Sublime, trans. Elizabeth Rottenberg (Stanford, Calif.: Stanford University Press, 1994).
  • Samuel Taylor Coleridge, Biographia Literaria, The Collected Works of Samuel Taylor Coleridge vol. 7, ed. James Engell and W. Jackson Bate (Princeton: Princeton University Press 1985 [1817]), p. 295.
  • Samuel Taylor Coleridge, Letters vol. I, ed. Earl Leslie Griggs (Oxford: Clarendon, 1959), p. 354.
  • William Wordsworth, The Prelude, 1799, 1805, 1850: Authoritative Texts, Context and Reception, Recent Critical Essays, ed. Jonathan Wordsworth, M. H. Abrams, and Stephen Gill (London and New York: Norton, 1979). Citation is from the 1799 version, lines 121–9.
  • Friedrich Hölderlin, Hyperion and Selected Poems, ed. Eric L. Santer (New York: Continuum, 1990), p. 189.
  • Friedrich Schlegel, Philosophical Fragments, trans. Peter Firchow (Minneapolis and London: University of Minnesota Press, 1991), pp. 39, 70-1, 95.
  • Friedrich Nietzsche, The Birth of Tragedy: Out of the Spirit of Music, trans. Shaun Whiteside (London and New York: Penguin Classics, 1993), p. 18.
  • Friedrich Nietzsche, ‘On Truth and Lies in a Nonmoral Sense’, in Philosophy and Truth: Selections from Nietzsche’s Notebooks of the Early 1870s, ed. and trans. Daniel Breazeale (Amherst, NY: Humanity Books, 1999), p. 86.
  • Friedrich Nietzsche, Philosophy in the Tragic Age of the Greeks, trans. Marianne Cowan (Washington, DC: Regnery, 1962), p. 40.

الفصل الخامس: تعزيز الواقع

  • Ludwig Wittgenstein, Philosophical Investigations, trans. P. M. S. Hacker and Joachim Schulte (Oxford: Blackwell, 2009 [1953]), p. 193.
  • P. F. Strawson, ‘Imagination and Perception’, in Freedom and Resentment and Other Essays (New York: Routledge, 2008 [1974]), p. 58.
  • Wittgenstein, Philosophical Investigations, pp. 200, 205.
  • Stephen. M. Kosslyn, Image and Mind (Cambridge, Mass.: Harvard University Press, 1980).
  • Edward S. Casey, Imagining: A Phenomenological Study, 2nd edition (Bloomington: Indiana University Press, 2000).
  • William James, Principles of Psychology (New York: Henry Holt and Company, 1890/1950), p. 58.
  • Vladimir Nabokov, Lectures on Russian Literature (New York: Harcourt, 1981).
  • William H. Gass, Fiction and the Figures of Life (New York: Albert Knopf, 1970).
  • Maurice Merleau-Ponty, ‘Eye and Mind’, in The Merleau-Ponty Aesthetics Reader, ed. Galen A. Johnson (Evanston, Ill.: Northwestern University Press, 1993).
  • Maurice Merleau-Ponty, The Visible and the Invisible, Followed by Working Notes, trans. Alphonso Lingus (Evanston, Ill.: Northwestern University Press, 1968).
  • Jean-Paul Sartre, Being and Nothingness, trans. Hazel Barnes (New York: Washington Square, 1992 [1943]), p. 488.
  • Sartre, The Imaginary, pp. 183, 236.
  • Paul Ricoeur, ‘The Narrative Function’, in John B. Thompson, ed., Paul Ricoeur: Hermeneutics and the Human Sciences (Cambridge: Cambridge University Press, 1979), p. 292.
  • Stevens, The Necessary Angel, p. 65.
  • Benedict Anderson, Imagined Communities (New York: Verso Books, 2006 [1983]).
  • Hannah Arendt, The Origins of Totalitarianism (New York: Harcourt Brace, 1951).
  • François Jacob, ‘Imagination in Art and in Science’, trans. Tracy Ryan, The Kenyon Review New Series 23:2 (Spring 2001), 113–21, p. 120.

الفصل السادس: الإبداع من الاختراع إلى الدهشة

  • Plato, from Ion in Statesman, Philebus, Ion, p. 534b.
  • Gosetti-Ferencei, The Life of Imagination, p. 218.
  • Kant, Critique of Judgment, pp. 308, 312-13.
  • John Dewey, Art as Experience (New York: Capricorn Books, 1934), p. 15.
  • Arthur Koestler, The Act of Creation, p. 231.
  • Gilles Fauconnier and Mark Turner, The Way We Think: Conceptual Blending and the Mind’s Hidden Complexities (New York: Basic Books, 2002), p. 18.
  • Charles Baudelaire, Les Fleurs du mal/Flowers of Evil, revised, edited, trans. John E. Tidball (Bishopston Editions, 2016), p. 429.
  • Charles Baudelaire, from ‘The Salon of 1859’, in The Mirror of Art: Critical Studies, trans. and ed. Jonathan Mayne (New York: Doubleday 1956), p. 241.
  • Robert Frost, Collected Prose of Robert Frost, ed. Mark Richardson (Cambridge: Belknap, 2007), pp. 131, 132, 133.
  • Igor Stravinsky, The Poetics of Music in the Form of Six Lessons, trans. Arthur Knodel and Ingolf Dahl (Cambridge, Mass.: Harvard University Press, 1947 [1942]), pp. 63, 64-5.
  • Toni Morrison, The Source of Self-Regard: Selected Essays, Speeches, and Meditations (New York: Knopf, 2019), p. 320.
  • Friedrich Schiller, On the Aesthetic Education of Man in a Series of Letters, ed. and trans. Elizabeth M. Wilkinson and L. A. Willoughby (Oxford: Clarendon Press, 1967 [1774-75]), p. 107.
  • Hans-Georg Gadamer, Truth and Method, trans. Joel Weisenheimer and Donald G. Marshall (London: Bloomsbury Academic, 2013).
  • John Keats, in a letter to his brothers of 1817, in The Complete Poetical Works and Letters of John Keats, Cambridge Edition (New York: Houghton, Mifflin and Company, 1899), p. 277.
  • Maurice Merleau-Ponty, Signs, trans. Richard McCleary (Evanston, Ill.: Northwestern University Press, 1964), pp. 53, 56.
  • Vincent van Gogh ‘Letter to Emile Bernard’, 26 November 1889, in Painted with Words: Letters to Emile Bernard, ed. Leo Jansen, Hans Luijten, and Nienke Bakker (New York: The Morgan Library and Amsterdam: Van Gogh Museum, 2007), pp. 339-40.
  • Viktor Shklovsky, ‘Art as Technique’, in Russian Formalist Criticism: Four Essays, ed. Lee T. Lemon and Marion J. Reiss (Lincoln: University of Nebraska Press, 1965), pp. 3–24.
  • Wisława Szymborska, Nobel Lecture. NobelPrize.org. Nobel Prize Outreach AB 2022. Tue. 19 July 2022. (https://www.nobelprize.org/prizes/literature/l996/szymborska/lecture/).
  • Albert Einstein, The World as I See It, trans. Alan Harris (London: John Lane, 1935), pp. 4-5.
  • René Descartes, The Passions of the Soul, trans. Stephen H. Voss (Indianapolis/Cambridge: Hackett Publishing, 1989), p. 59.
  • Rainer Maria Rilke, ‘Archaic Torso of Apollo’, in New Poems, Bilingual Edition, trans. Stephen Mitchell (New York: Knopf Doubleday, 2013).
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