قائمة المصادر والمراجع
وتقتصر على الكتب والدراسات الأجنبية التي ورد
ذكرُها في المقدمة وفي الحواشي
-
Allen, John A, “Dogberry”, Shakespeare Quarterly 24, (1972), 90–112.
-
Altman, Joel, The Tudor Play of Mind: Rhetorical Inquiry and the Development of Elizabethan Drama. (Berkeley, Calif. 1978).
-
Aubrey, John, Brief Lives, ed. O. L. Dick (London, 1949).
-
Auden, W. H., Lectures on Shakespeare, ed. Arthur Kirsch (Princeton, NJ, 2000).
-
Barber, C. L., Shakespeare’s Festive Comedy: A Study of Dramatic Form and Its Relation to Social Custom (Princeton, NJ, 1959).
-
Barish, Jonas, “Pattern and purpose in the prose of Much Ado About Nothing”, Rice University Studies, 60 (1974), 19–30.
-
Berger Jr., Harry, “Against the Sink-a-pace: Sexual and Family Politics in Much Ado About Nothing”, Shakespeare Quarterly 33 (1982), 302–313. (rpt. in Marrion Wynne-Davies, New Casebooks 2001).
-
Berry, Ralph, “Problems of Knowing”, in Shakespeare’s Comedies: Explorations in Form (Princeton, NJ, 1972), 154–174.
-
Brewer’s Dictionary of Phrase and Fable, 15th edn. revised by Adrian Broom (1996).
-
Bullough, Geoffrey, Narrative and Dramatic Sources of Shakespeare, 8 vols. (New York, 1957–75), vol. 2.
-
Cerasano, S. P., “Half a dozen dangerous words”, in Gloriana’s Face, Women, Public and Private, in the English Renaissance (Detroit, 1992) 167–183 (rpt. in Marion Lynne-Davies’ New Casebooks, 2001).
-
Cook, Carol, “The sign and semblance of her honour”: Reading Gender Difference in Much Ado About Nothing.” PMLA 101, 1986, 186–202.
-
Cook, David, “The very temple of delight: the twin plots of Much Ado About Nothing”, in Antony Coleman and Antony Hammond (eds.) Poetry and Drama 1570–1700: Essays in Honour of Harold F. Brooks (1981), 32–46.
-
Craik, T. W., “Much Ado About Nothing”, Scrutiny 19, (1953), 297–316.
-
Crane, Milton, Shakespeare’s Prose (Chicago, 1951), (rpr. 1982).
-
Croll, Morris W., Attic and Baroque Prose Style: The Anti-Ciceronian Movement (Princeton, NJ, 1966).
-
Dawson, Anthony, “Much Ado About Signifying”, Studies in English Literature 1500–1900, 22, (1982), 211–221.
-
Dobranski, Stephen P., “Children of the Mind: Miscarried Narratives in Much Ado About Nothing”, Studies in English Literature 1500–1900, 38, (1998), 233–250.
-
Darkakis, John, “Trust and Transgression: the discursive practice of Much Ado About Nothing”, In Richard Machin and Christopher Norris (eds.) Post-Structuralist Readings of English Poetry (Cambridge, 1987).
-
Draper, John, Stratford to Dogberry: Studies in Shakespeare’s Earlier Plays, Pittsburgh, 1961.
-
Evans, Bertrand, Shakespeare’s Comedies (Oxford, 1960).
-
Evans, Hugh C., “Comic constables: fictional and historical”, Shakespeare Quarterly, 20 (1969), 422–433.
-
Evans, Jon X., “The Villainy of one deformed: The complex word fashion in Much Ado About Nothing”, in John H. Dorencamp (ed.) Literary Studies: Essays in Memory of Francis A. Drumm (Wetteren, Belguim, 1973), 91–114.
-
Everett, Barbara, “Much Ado About Nothing: The unsociable Comedy”, in English Comedy, ed. Michael Cordner, Peter Holland and John Kerrigan (Cambridge, 1994) pp. 68–84 (rpt. in Marion Wynne-Davies’ New Casebooks 2001).
-
Friedman, Michael, “For man is a giddy thing, and this is my conclusion’: fashion and Much ado About Nothing”, Text and Performance Quarterly, vol. 13, no. 3 (1993), 267–282.
-
Frye, Northrop, A Natural Perspective: The Development of Shakespearean Comedy and Romance, (New York, 1967).
-
Gay, Penny, As She Likes It: Shakespeare’s Unruly Women, London 1994, pp. 143–77 (rpt. in New casebooks 2001, ed. Wynne-Davies).
-
Gerard, René, A Theatre of Envy: William Shakespeare, Oxford, 1991.
-
Gildon, Charles, “Remarks”, in Rowe (additional vol. 7), 304, (rpt. in the Signet ed. of the play, 1964).
-
Greenblatt, Stephen, Introduction to Much Ado About Nothing, Norton Shakespeare (New York, 1997).
-
Henze, Richard, “Deception in Much Ado About Nothing”, Studies in English Literature 1500–1900, 11, (1971), 187–201.
-
Howard, Jean E. “Renaissance anti-theatricality and the politics of gender and rank in Much Ado About Nothing”, in Jean E. Howard and Marion F. O’Connor, Shakespeare Reproduced: The Text in History and Ideology (1987), 163–187 (rpt. in Marion Wynee-Davie’s New Casebooks, 2001).
-
Hunt, Maurice, “The Reclamation of Language in Much Ado About Nothing”, Studies in Philology, 97 (2000) 165–91.
-
Johnson, Samuel Johnson on Shakespeare, ed. H. R. Woudhuysen, (1989).
-
Jorgensen, P. A., “Much Ado About Nothing”, in Redeeming Shakespeare’s Words (1962), 22–42.
-
King, Walter N., “Much Ado About Something”, Shakespeare Quarterly 15, (1954), 143–155.
-
Kreiger, Elliot, “Social Relations and the Social Order in Much Ado About Nothing”, Shakespeare Survey 32 (1979), 49–61.
-
Lacqueur, Thomas. Making Sex: Body and Gender from the Greeks to Freud, (Cambridge, Mass. 1990).
-
Leggatt, Alexander, “Much Ado About Nothing”, in Shakespeare’s Comedy of Love, London, Methuen, 1974.
-
Levin, Richard, Multiple Plot in English Renaissance Drama, Chicago, 1971, 90–93.
-
Magnusson, Lynne, “The pragmatics of repair in King Lear and Much Ado About Nothing”, in Shakespeare and Social Dialogue: Dramatic Language and Elizabethan Letters (Cambridge, 1999), 141–162.
-
Mares, F. H., Introduction to the updated ed. of 2003 of the New Cambridge Shakespeare Much Ado About Nothing (ed. 2005 used).
-
McCollum, William G., “The Role of Wit in Much Ado About Nothing”, Shakespeare Quarterly 19 (1968), 165–174.
-
McEachern, Claire, Introduction to the Arden edn. of Much Ado About Nothing, 2006.
-
McEachern, Claire, “Fathering herself; a source study of Shakespeare’s feminism”, Shakespeare Quarterly 39 (1988), 269–90.
-
Mueller, Martin, “Shakespeare’s Sleeping beauties: the sources of Much Ado About Nothing and the play of their repetitions”, Modern Philology, vol. 1, no. 3 (1994), 288–311.
-
Muir. Kenneth, The Sources of Shakespeare’s Plays, 1977.
-
Myhill, Nova, “Spectatorship in/of Much Ado About Nothing”, Studies in English Literature 1500–1900, vol. 39, no. 2 (1999), 291–311.
-
Neely, Carol, Broken Nuptials in Shakespeare’s Plays (New Haven, Conn., 1985).
-
Neill, Kirby, “More ado about Claudio: An acquittal for a slandered groom”, Shakespeare Quarterly, 3, 1952, 91–107.
-
Ormerod, David, “Faith and Fashion in Much Ado About Nothing”, Shakespeare Survey 25 (1972), 93–105.
-
Osbourne, Laurie E., “Dramatic play in Much Ado About Nothing: Wedding the Italian Novella and English Comedy”, Philological Quarterly 2 (1990), 167–188.
-
Page, Nadine, “The Public repudiation of Hero”, PMLA, 50 (1935), 739–744.
-
Partridge, Eric, Shakespeare’s Bawdy, 1990.
-
Paster, Gail Kern, “Much Ado About Nothing: A Modern Perspective”, in the Folger edn. of the play, pp. 213–230.
-
Prouty, Charles, The Sources of Much Ado About Nothing. (New Haven, Conn., 1950).
-
Puttenham, George. The Art of English Poetry, ed. Edward Arber (1906, rpt. Kent, Ohio, 1970).
-
Rose, Steven, “Love and Self-love in Much Ado About Nothing”, Essays in Criticism 1500–1900, 20, 1970, 143–150.
-
Rossiter, A. P., “Much Ado About Nothing”, in Angel with Horns (1961), rept. in Shakespeare: The Comedies, ed. Kenneth Muir (Englewood Cliffs, NJ, 1965), 47–57.
-
Sexton, Joyce Hengrerer, “The theme of Slander in Much Ado About Nothing and Garter’s Susannah” Philological Quarterly 54, 1975, 419–433.
-
Shaw, Bernard, Shaw on Shakespeare, ed. Edwin Wilson (New York, 1968).
-
Straznicky, Marta, “Shakespeare and the government of comedy: Much Ado About Nothing”, Shakespeare Survey 22 (1994), 141–171.
-
Taylor, Michael, “Much Ado About Nothing: The Individual in Society” Essays in Criticism, 23, (1973), 146–153.
-
Thompson, Ann & Thompson John O., Shakespeare: Meaning and Metaphor (Brighton, England, 1987).
-
Traugott, John “Creating a rational Rinaldo: a Study in the Mixture of the Genres of Comedy and Romance in Much Ado About Nothing”, Genre, vol. 15, no. 2-3, (1982), 157–181.
-
Vickers, Brain, The Artistry of Shakespeare’s Prose, (1969).
-
Woodbridge, Linda, Women and the English Renaissance: Literature and the Nature of Womankind, 1540–1620. (Urbana and Chicago, 1984).
-
Wynne-Davies, Lynne, ed. New Casebooks: Much Ado About Nothing and The Taming of the Shrew, Palgrave, 2001.